Louis Toodle-oo” (1926) and “Black and Tan Fantasy” (1927).Įxtended residencies at the Cotton Club in Harlem (1927–32, 1937–38) stimulated Ellington to enlarge his band to 14 musicians and to expand his compositional scope. The singular blues-based melodies the harsh, vocalized sounds of his trumpeter, Bubber Miley (who used a plunger mute) and the sonorities of the distinctive trombonist Joe (“Tricky Sam”) Nanton (who played muted “growl” sounds) all influenced Ellington’s early “jungle style,” as seen in such masterpieces as “East St. Later that year he moved there and, in Broadway nightclubs, led a sextet that grew in time into a 10-piece ensemble. SpaceNext50 Britannica presents SpaceNext50, From the race to the Moon to space stewardship, we explore a wide range of subjects that feed our curiosity about space!Įllington first played in New York City in 1923.Learn about the major environmental problems facing our planet and what can be done about them!

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